›Writing

A select chronology of scholarly and artistic writing from Carol Brown, including co-authored works, panels, and responses from other writers.
Mental Dance (2021) NiTRO 11th June. NiTRO is a publication of The Australian Council of Deans and Directors of Creative Arts
Brown, C., and Reihana-Morunga, T. (2020) ‘Hau: Living Archive of Breath’. Performance Research, vol.25,no.2, 69-78.
Brown, C. Gibson, R., & Roche, J., (2020) ‘Towards a Deterritorialised Field of Dance’ in David, A.R., Huxley, M. and Whatley, S. (eds) Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Binsted, Hampshire: Dance Books, 185-203.
Brown, C. (2020) ‘The Strangeness of Dancing: From The Changing Room and Singularity’ The Routledge Companion to Dance Studies, edited by Thomas, Helen, and Prickett, Stacey., 1st ed., Routledge, 413-427.
Brown, C. (2019) 'Spacing events: charting choreo-spatial dramaturgies' in Duxbury, N., Garrett-Petts, W.F., Longley, A. (eds) (2019) Artistic Approaches to Cultural Mapping: Activating Imaginaties and Means of Knowing. SAbingdon and New York: Routledge, 75-91.
Brown, C. & Longley, A. (eds) (2018) Undisciplining Dance in Nine Movements and Eight Stumbles. Cambridge: Cambridge Scholars.
Brown, C. & Graham, F., (2017) ‘The Pā Collective: Developing dramaturgical intersections, collaboration, and performing layers of place post-empire. Contemporary Theatre Review Vol 27, Iss.2, 263-274.
Brown, C. M., & Hannah, D.M., (2016) 'Mapping turbulent gestures and liquid ground'. In P. Rawes, S. Loo, T. Matthews (Eds.) Poetic biopolitics: Practices of relation in architecture and the arts. London: I.B. Tauris, 221-244.
Brown, C., & Nepia, M. (2016). Te Kore and the encounter of performance. In N. Colin & S. Sachsenmaier (Eds.), Collaboration in performance practice: Premises, workings and failures (pp. 197-220). United Kingdom: Palgrave MacMillan.
Brown, C., (2015) 'City of Lovers' in V. Hunt., (ed) Moving Sites. Palgrave MacMillan, 199-222.
Brown, C. (2015). So, remember the liquid ground. In S. Whatley, N. G. Brown, & K. Alexander (Eds.), Attending to movement: Somatic perspectives on living in this world (pp. x-x). City, Country: Triarchy Press.
Brown, C. (2014). Falling together. In J. Calow, D. Hinchcliffe, & L. Mansfield (Eds.), Speculative strategies in interdisciplinary arts (pp. 11-26). Underwing Press.
Brown, C. (2012, Autumn). Bridging the distance. DANZ Quarterly.
Brown, C.M & Hannah, D. (2011). 'Tongues of Stone: making space speak ... again and again', In: Listengarten, J; Van Duyn, M; Alrutz, M. (ed.) Playing with theory in theatre practice, Houndmills, Basingstoke, Hampshire, Palgrave MacMillan, 261-280.
Brown, C. (2010). Making space, speaking spaces. In A. Carter & J. O'Shea (Eds.), The Routledge dance studies reader (pp. 58-72). London, United Kingdom: Routledge.
Brown, C. (2005, January). Making work for our time. Paper presented at the meeting of the Dance UK Choreoforum, London, United Kingdom.
Brown, C. (2003, September). Dance-architecture workshop. Paper presented at the meeting of x, Vironas, Greece.
Brown, C. (2003). How we are here: Afterthoughts on Te Pou Tahui. Unpublished manuscript.
Brown, C. (2003, September). Thinking moving beyond the box. Paper presented at the meeting of PARIP, Bristol, United Kingdom.
Brown, C., (1997) ‘Dancing Between Hemispheres: Negotiating Routes for the Dancer-­‐Academic’, In Stanley, Liz (ed), Knowing Feminisms London: Sage, 132-­‐142.
Brown, C., (1994) ‘Re-Tracing Our Steps: The possibilities for feminist dance histories’ in J. Adsead and J. Layson (eds) Dance History: An Introduction. London: Routledge, 198-215.
Brown, C., and Reihana-Morunga, T. (2020) ‘Hau: Living Archive of Breath’. Performance Research, vol.25,no.2, 69-78.
Brown, C. Gibson, R., & Roche, J., (2020) ‘Towards a Deterritorialised Field of Dance’ in David, A.R., Huxley, M. and Whatley, S. (eds) Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Binsted, Hampshire: Dance Books, 185-203.
Brown, C. (2020) ‘The Strangeness of Dancing: From The Changing Room and Singularity’ The Routledge Companion to Dance Studies, edited by Thomas, Helen, and Prickett, Stacey., 1st ed., Routledge, 413-427.
Brown, C. (2019) 'Spacing events: charting choreo-spatial dramaturgies' in Duxbury, N., Garrett-Petts, W.F., Longley, A. (eds) (2019) Artistic Approaches to Cultural Mapping: Activating Imaginaties and Means of Knowing. SAbingdon and New York: Routledge, 75-91.
Brown, C. & Longley, A. (eds) (2018) Undisciplining Dance in Nine Movements and Eight Stumbles. Cambridge: Cambridge Scholars.
Brown, C. & Graham, F., (2017) ‘The Pā Collective: Developing dramaturgical intersections, collaboration, and performing layers of place post-empire. Contemporary Theatre Review Vol 27, Iss.2, 263-274.
Brown, C. M., & Hannah, D.M., (2016) 'Mapping turbulent gestures and liquid ground'. In P. Rawes, S. Loo, T. Matthews (Eds.) Poetic biopolitics: Practices of relation in architecture and the arts. London: I.B. Tauris, 221-244.
Brown, C., & Nepia, M. (2016). Te Kore and the encounter of performance. In N. Colin & S. Sachsenmaier (Eds.), Collaboration in performance practice: Premises, workings and failures (pp. 197-220). United Kingdom: Palgrave MacMillan.
Brown, C., (2015) 'City of Lovers' in V. Hunt., (ed) Moving Sites. Palgrave MacMillan, 199-222.
Brown, C. (2015). So, remember the liquid ground. In S. Whatley, N. G. Brown, & K. Alexander (Eds.), Attending to movement: Somatic perspectives on living in this world (pp. x-x). City, Country: Triarchy Press.
Brown, C. (2014). Falling together. In J. Calow, D. Hinchcliffe, & L. Mansfield (Eds.), Speculative strategies in interdisciplinary arts (pp. 11-26). Underwing Press.
Brown, C. (2012, Autumn). Bridging the distance. DANZ Quarterly.
Brown, C.M & Hannah, D. (2011). 'Tongues of Stone: making space speak ... again and again', In: Listengarten, J; Van Duyn, M; Alrutz, M. (ed.) Playing with theory in theatre practice, Houndmills, Basingstoke, Hampshire, Palgrave MacMillan, 261-280.
Brown, C. (2010). Making space, speaking spaces. In A. Carter & J. O'Shea (Eds.), The Routledge dance studies reader (pp. 58-72). London, United Kingdom: Routledge.
Brown, C. (2005, January). Making work for our time. Paper presented at the meeting of the Dance UK Choreoforum, London, United Kingdom.
Brown, C. (2003, September). Dance-architecture workshop. Paper presented at the meeting of x, Vironas, Greece.
Brown, C. (2003). How we are here: Afterthoughts on Te Pou Tahui. Unpublished manuscript.
Brown, C. (2003, September). Thinking moving beyond the box. Paper presented at the meeting of PARIP, Bristol, United Kingdom.
Brown, C., (1997) ‘Dancing Between Hemispheres: Negotiating Routes for the Dancer-­‐Academic’, In Stanley, Liz (ed), Knowing Feminisms London: Sage, 132-­‐142.
Brown, C., (1994) ‘Re-Tracing Our Steps: The possibilities for feminist dance histories’ in J. Adsead and J. Layson (eds) Dance History: An Introduction. London: Routledge, 198-215.