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›Writing

A select chronology of scholarly and artistic writing from Carol Brown, including co-authored works, panels, and responses from other writers.
Mental Dance (2021) NiTRO 11th June. NiTRO is a publication of The Australian Council of Deans and Directors of Creative Arts
Brown, CM. "The Air Between Us". (2021) Performance of the Real, vol.2, pp. 6-13.
Brown, C., and Reihana-Morunga, T. (2020) ‘Hau: Living Archive of Breath’. Performance Research, vol.25,no.2, 69-78.
Brown, C. Gibson, R., & Roche, J., (2020) ‘Towards a Deterritorialised Field of Dance’ in David, A.R., Huxley, M. and Whatley, S. (eds) Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Binsted, Hampshire: Dance Books, 185-203.
Brown, C. (2020) ‘The Strangeness of Dancing: From The Changing Room and Singularity’ The Routledge Companion to Dance Studies, edited by Thomas, Helen, and Prickett, Stacey., 1st ed., Routledge, 413-427.
Brown, C. (2019). Field guide for choreography as research. Retrieved from NIVEL.
Brown, C. (2019) 'Spacing events: charting choreo-spatial dramaturgies' in Duxbury, N., Garrett-Petts, W.F., Longley, A. (eds) (2019) Artistic Approaches to Cultural Mapping: Activating Imaginaties and Means of Knowing. SAbingdon and New York: Routledge, 75-91.
Brown, C. (2018) The Air Between Us. Performing Ecologies Conference. The Performance of the Real. University of Otago, Dunedin, New Zealand, 21-22nd November.
Brown, C. & Longley, A. (eds) (2018) Undisciplining Dance in Nine Movements and Eight Stumbles. Cambridge: Cambridge Scholars.
Brown, C. & Graham, F., (2017) ‘The Pā Collective: Developing dramaturgical intersections, collaboration, and performing layers of place post-empire. Contemporary Theatre Review Vol 27, Iss.2, 263-274.
Brown, C. M., & Hannah, D.M., (2016) 'Mapping turbulent gestures and liquid ground'. In P. Rawes, S. Loo, T. Matthews (Eds.) Poetic biopolitics: Practices of relation in architecture and the arts. London: I.B. Tauris, 221-244.
Brown, C., & Nepia, M. (2016). Te Kore and the encounter of performance. In N. Colin & S. Sachsenmaier (Eds.), Collaboration in performance practice: Premises, workings and failures (pp. 197-220). United Kingdom: Palgrave MacMillan.
Brown, C., (2015) 'City of Lovers' in V. Hunt., (ed) Moving Sites. Palgrave MacMillan, 199-222.
Brown, C. (2015). So, remember the liquid ground. In S. Whatley, N. G. Brown, & K. Alexander (Eds.), Attending to movement: Somatic perspectives on living in this world (pp. x-x). City, Country: Triarchy Press.
Brown, C. (2014). Falling together. In J. Calow, D. Hinchcliffe, & L. Mansfield (Eds.), Speculative strategies in interdisciplinary arts (pp. 11-26). Underwing Press.
Brown, C. (2014). Godwits, kuaka and the returns of Ausdruckstanz in Aotearoa. In R. Buck & N. Rowe (Eds.), Moving oceans: Celebrating dance in the South Pacific (pp. 1-12). New Dehli, India: Routledge.
Brown, C. (2013). The insider-outsider status of the artist-scholar: A response to Dempster. Journal for the Anthropological Study of Human Movement, 20(1). Retrieved from JASHM.
Brown, C. M., Niemetz, A., Medlin, M., & Scoones, R. (2013). Rest sleep wake: Soma-science scores for performing sleep. Journal of Dance and Somatic Practices, 5(1), 31-45. Retrieved from Ingenta.
Brown, C. (2012, Autumn). Bridging the distance. DANZ Quarterly.
Niemetz, A., Brown, C., & Gander, P. (2011). Performing sleep/wake cycles: An arts-science dialogue through embodied technologies. Body, Space and Technology Journal, (2). Retrieved from BRUNEL.
Brown, C.M & Hannah, D. (2011). 'Tongues of Stone: making space speak ... again and again', In: Listengarten, J; Van Duyn, M; Alrutz, M. (ed.) Playing with theory in theatre practice, Houndmills, Basingstoke, Hampshire, Palgrave MacMillan, 261-280.
Brown, C. (2011, December). Rivers of song, blood and memories: Tongues of stone in Perth. BROLGA, (35), 37-48.
Brown, C. (2010). Making space, speaking spaces. In A. Carter & J. O'Shea (Eds.), The Routledge dance studies reader (pp. 58-72). London, United Kingdom: Routledge.
Brown, C., & Ramsgard-Thomsen, M. (2008). Dancing-drawing fields of presence in SeaUnSea. In D. Hannah & O. Harslof (Eds.), Performance design (pp. 214-232). Copenhagen, Denmark: Roskilde University.
Brown, C. (2006). The aesthetics of smash and grab. In L. Aggiss & B. Cowie (Eds.), Anarchic Dance (pp. 5-14). London, United Kingdom: Routledge.
Brown, C. (2006). Learning to dance with angelfish: Choreographic encounters between virtuality and reality. In S. Broadhurst & J. Machon (Eds.), Performance and technology: Practices of virtual embodiment and interactivity (pp. 85-99). Houndmills, United Kingdom: Palgrave Macmillan.
Brown, C. (2006). Embodied interfaces for dance. In L. Bullivant (Ed.), Responsive environments: Architecture, art and design (pp. 112-113). V&A Contemporary.
Brown, C. (2005, January). Making work for our time. Paper presented at the meeting of the Dance UK Choreoforum, London, United Kingdom.
Brown, C. (2004). Arteries and avatars. In M. Brady (Ed.), Choreographic Encounters: Vol. 2 (pp. 39-51). Cork, Ireland: Institute for Choreography and Dance.
Brown, C. (2003/2004). Anatomies and architecture: Choreographing the body within new architectural models of space. AHRB Annual Report, 23.
Brown, C. (2003, September). Dance-architecture workshop. Paper presented at the meeting of x, Vironas, Greece.
Brown, C. (2003). How we are here: Afterthoughts on Te Pou Tahui. Unpublished manuscript.
Brown, C. (2003). Sight lines: Overwriting perspectives. In K. Ehrlich & B. LaBelle (Eds.), Surface tension: Problematics of site (pp. 227-238). Downey, CA: Errant Bodies Press.
Brown, C. (2003, September). Thinking moving beyond the box. Paper presented at the meeting of PARIP, Bristol, United Kingdom.
Brown, C. (2002). Dancing in the mediascape. On Tour: British Drama and Dance, (19), 10-13.
Brown, C. (2002, Winter). Dwelling space. Animated, 4-6.
Brown, C. (2001). Migration and memory: The dances of Gertrud Bodewieser. Dance Advance.
Brown, C. (2001). Tall stories. Dance Theatre Journal, 16(4), 20-24.
Grilikhes, A., & Brown, C. (2000). Shelf Life: An interview. American Writing, (20), 4-15. Nierika Editions.
Grant, S. (2000, April). Body talk. Blueprint, 171, 32-36.
Brown, C. (1999). Unpacking the body. Dance Theatre Journal, 14(4), 13-16.
Adair, C. (1999). Resistant revelations. Dance Theatre Journal, 15(1), 12-15.
Brown, C. (1998, Spring). Nomads, navigators and hothouses. Animated, 11-12.
Brown, C., (1997) ‘Dancing Between Hemispheres: Negotiating Routes for the Dancer-­‐Academic’, In Stanley, Liz (ed), Knowing Feminisms London: Sage, 132-­‐142.
Brown, C., (1994) ‘Re-Tracing Our Steps: The possibilities for feminist dance histories’ in J. Adsead and J. Layson (eds) Dance History: An Introduction. London: Routledge, 198-215.
Brown, C., and Reihana-Morunga, T. (2020) ‘Hau: Living Archive of Breath’. Performance Research, vol.25,no.2, 69-78.
Brown, C. Gibson, R., & Roche, J., (2020) ‘Towards a Deterritorialised Field of Dance’ in David, A.R., Huxley, M. and Whatley, S. (eds) Dance Fields: Staking a Claim for Dance Studies in the Twenty-First Century. Binsted, Hampshire: Dance Books, 185-203.
Brown, C. (2020) ‘The Strangeness of Dancing: From The Changing Room and Singularity’ The Routledge Companion to Dance Studies, edited by Thomas, Helen, and Prickett, Stacey., 1st ed., Routledge, 413-427.
Brown, C. (2019). Field guide for choreography as research. Retrieved from NIVEL.
Brown, C. (2019) 'Spacing events: charting choreo-spatial dramaturgies' in Duxbury, N., Garrett-Petts, W.F., Longley, A. (eds) (2019) Artistic Approaches to Cultural Mapping: Activating Imaginaties and Means of Knowing. SAbingdon and New York: Routledge, 75-91.
Brown, C. (2018) The Air Between Us. Performing Ecologies Conference. The Performance of the Real. University of Otago, Dunedin, New Zealand, 21-22nd November.
Brown, C. & Longley, A. (eds) (2018) Undisciplining Dance in Nine Movements and Eight Stumbles. Cambridge: Cambridge Scholars.
Brown, C. & Graham, F., (2017) ‘The Pā Collective: Developing dramaturgical intersections, collaboration, and performing layers of place post-empire. Contemporary Theatre Review Vol 27, Iss.2, 263-274.
Brown, C. M., & Hannah, D.M., (2016) 'Mapping turbulent gestures and liquid ground'. In P. Rawes, S. Loo, T. Matthews (Eds.) Poetic biopolitics: Practices of relation in architecture and the arts. London: I.B. Tauris, 221-244.
Brown, C., & Nepia, M. (2016). Te Kore and the encounter of performance. In N. Colin & S. Sachsenmaier (Eds.), Collaboration in performance practice: Premises, workings and failures (pp. 197-220). United Kingdom: Palgrave MacMillan.
Brown, C., (2015) 'City of Lovers' in V. Hunt., (ed) Moving Sites. Palgrave MacMillan, 199-222.
Brown, C. (2015). So, remember the liquid ground. In S. Whatley, N. G. Brown, & K. Alexander (Eds.), Attending to movement: Somatic perspectives on living in this world (pp. x-x). City, Country: Triarchy Press.
Brown, C. (2014). Falling together. In J. Calow, D. Hinchcliffe, & L. Mansfield (Eds.), Speculative strategies in interdisciplinary arts (pp. 11-26). Underwing Press.
Brown, C. (2014). Godwits, kuaka and the returns of Ausdruckstanz in Aotearoa. In R. Buck & N. Rowe (Eds.), Moving oceans: Celebrating dance in the South Pacific (pp. 1-12). New Dehli, India: Routledge.
Brown, C. (2013). The insider-outsider status of the artist-scholar: A response to Dempster. Journal for the Anthropological Study of Human Movement, 20(1). Retrieved from JASHM.
Brown, C. M., Niemetz, A., Medlin, M., & Scoones, R. (2013). Rest sleep wake: Soma-science scores for performing sleep. Journal of Dance and Somatic Practices, 5(1), 31-45. Retrieved from Ingenta.
Brown, C. (2012, Autumn). Bridging the distance. DANZ Quarterly.
Niemetz, A., Brown, C., & Gander, P. (2011). Performing sleep/wake cycles: An arts-science dialogue through embodied technologies. Body, Space and Technology Journal, (2). Retrieved from BRUNEL.
Brown, C.M & Hannah, D. (2011). 'Tongues of Stone: making space speak ... again and again', In: Listengarten, J; Van Duyn, M; Alrutz, M. (ed.) Playing with theory in theatre practice, Houndmills, Basingstoke, Hampshire, Palgrave MacMillan, 261-280.
Brown, C. (2011, December). Rivers of song, blood and memories: Tongues of stone in Perth. BROLGA, (35), 37-48.
Brown, C. (2010). Making space, speaking spaces. In A. Carter & J. O'Shea (Eds.), The Routledge dance studies reader (pp. 58-72). London, United Kingdom: Routledge.
Brown, C., & Ramsgard-Thomsen, M. (2008). Dancing-drawing fields of presence in SeaUnSea. In D. Hannah & O. Harslof (Eds.), Performance design (pp. 214-232). Copenhagen, Denmark: Roskilde University.
Brown, C. (2006). The aesthetics of smash and grab. In L. Aggiss & B. Cowie (Eds.), Anarchic Dance (pp. 5-14). London, United Kingdom: Routledge.
Brown, C. (2006). Learning to dance with angelfish: Choreographic encounters between virtuality and reality. In S. Broadhurst & J. Machon (Eds.), Performance and technology: Practices of virtual embodiment and interactivity (pp. 85-99). Houndmills, United Kingdom: Palgrave Macmillan.
Brown, C. (2006). Embodied interfaces for dance. In L. Bullivant (Ed.), Responsive environments: Architecture, art and design (pp. 112-113). V&A Contemporary.
Brown, C. (2005, January). Making work for our time. Paper presented at the meeting of the Dance UK Choreoforum, London, United Kingdom.
Brown, C. (2004). Arteries and avatars. In M. Brady (Ed.), Choreographic Encounters: Vol. 2 (pp. 39-51). Cork, Ireland: Institute for Choreography and Dance.
Brown, C. (2003/2004). Anatomies and architecture: Choreographing the body within new architectural models of space. AHRB Annual Report, 23.
Brown, C. (2003, September). Dance-architecture workshop. Paper presented at the meeting of x, Vironas, Greece.
Brown, C. (2003). How we are here: Afterthoughts on Te Pou Tahui. Unpublished manuscript.
Brown, C. (2003). Sight lines: Overwriting perspectives. In K. Ehrlich & B. LaBelle (Eds.), Surface tension: Problematics of site (pp. 227-238). Downey, CA: Errant Bodies Press.
Brown, C. (2003, September). Thinking moving beyond the box. Paper presented at the meeting of PARIP, Bristol, United Kingdom.
Brown, C. (2002). Dancing in the mediascape. On Tour: British Drama and Dance, (19), 10-13.
Brown, C. (2002, Winter). Dwelling space. Animated, 4-6.
Brown, C. (2001). Migration and memory: The dances of Gertrud Bodewieser. Dance Advance.
Brown, C. (2001). Tall stories. Dance Theatre Journal, 16(4), 20-24.
Grilikhes, A., & Brown, C. (2000). Shelf Life: An interview. American Writing, (20), 4-15. Nierika Editions.
Grant, S. (2000, April). Body talk. Blueprint, 171, 32-36.
Brown, C. (1999). Unpacking the body. Dance Theatre Journal, 14(4), 13-16.
Adair, C. (1999). Resistant revelations. Dance Theatre Journal, 15(1), 12-15.
Brown, C. (1998, Spring). Nomads, navigators and hothouses. Animated, 11-12.
Brown, C., (1997) ‘Dancing Between Hemispheres: Negotiating Routes for the Dancer-­‐Academic’, In Stanley, Liz (ed), Knowing Feminisms London: Sage, 132-­‐142.
Brown, C., (1994) ‘Re-Tracing Our Steps: The possibilities for feminist dance histories’ in J. Adsead and J. Layson (eds) Dance History: An Introduction. London: Routledge, 198-215.

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